000 | 01907nam a22003494a 4500 | ||
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001 | ebr10068555 | ||
003 | CaPaEBR | ||
006 | m u | ||
007 | cr cn||||||||| | ||
008 | 040217s2004 caua sbk s001 0 eng | ||
010 | _z 2004003478 | ||
020 | _z0520241843 (cloth : alk. paper) | ||
020 | _z0520241851 (pbk. : alk. paper) | ||
040 |
_aCaPaEBR _cCaPaEBR |
||
035 | _a(OCoLC)56733350 | ||
050 | 1 | 4 |
_aML200.5 _b.H83 2004eb |
082 | 0 | 4 |
_a780/.86/640973 _222 |
100 | 1 | _aHubbs, Nadine. | |
245 | 1 | 4 |
_aThe queer composition of America's sound _h[electronic resource] : _bgay modernists, American music, and national identity / _cNadine Hubbs. |
260 |
_aBerkeley : _bUniversity of California Press, _cc2004. |
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300 |
_axi, 282 p. : _bill. |
||
504 | _aIncludes bibliographical references (p. 249-263), discography (p. 265), and index. | ||
505 | 0 | _aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). | |
533 |
_aElectronic reproduction. _bPalo Alto, Calif. : _cebrary, _d2013. _nAvailable via World Wide Web. _nAccess may be limited to ebrary affiliated libraries. |
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650 | 0 |
_aMusic _zUnited States _y20th century _xHistory and criticism. |
|
650 | 0 |
_aNational music _zUnited States _xHistory and criticism. |
|
650 | 0 |
_aGay composers _zUnited States. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aebrary, Inc. | |
856 | 4 | 0 |
_uhttp://site.ebrary.com/lib/strathmore/Doc?id=10068555 _zAn electronic book accessible through the World Wide Web; click to view |
942 | _cEBK | ||
999 |
_c213590 _d184842 |