The Philosophy of hope through photography in Kenya: interpretation of Henri Cartier-Bresson's Gaze under the existentialism of Gabriel Marcel (Record no. 318124)

MARC details
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fixed length control field 02869 am a22002173u 4500
001 - CONTROL NUMBER
control field 318124
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260302141753.0
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Sanchez, Ismael Martinez
Relator term author
9 (RLIN) 412914
245 00 - TITLE STATEMENT
Title The Philosophy of hope through photography in Kenya: interpretation of Henri Cartier-Bresson's Gaze under the existentialism of Gabriel Marcel
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Strathmore University,
Date of publication, distribution, etc 2021-02-22T11:53:22Z.
520 ## - SUMMARY, ETC.
Summary, etc Thesis submitted in partial fulfillment of the requirements for the Degree of Masters in Applied Philosophy and Ethics (MAPE) at Strathmore University, Kenya
520 ## - SUMMARY, ETC.
Summary, etc Today, many Western media impose a simplifying view of photographic reality by narrating African daily life under negative cliches that are perpetuated in time (poverty, famine, corruption, etc.) or recently, it is enough to look at the visual coverage and repercussions of the AI Shabaab dusit02 Hotel attack on the pages of the New York Times (De Freitas, 2015, January 15). That is why, in a globalized culture, Kenyans are asking themselves if there are any positive models or roles of their own that go beyond this one 'aesthetics of despair'. So, the question in this dissertation is: Can Western agency and media photography promote a broader view of reality and bring hope to new generations of Kenyans? To answer this question, we have done an analysis of the characteristics of Cartier-Bresson's photographic work under the philosophy of Gabriel Marcel. Both authors were French and intellectuals at the beginning of the 20th century: Henri Cattier-Bresson is considered the father of modern photojournalism and one of the pioneers of humanist photography; Marcel is a philosopher who considers hope the motor in existential life (because he considers that man is not a being thrown into the world). Thus, this dissertation offers a framework on what photography is, and what hope consists of. We study both fields, specifically, in Henri Cartier-Bresson and in Gabriel Marcel; and conclude with a symbiosis between the four characteristics of photography in Cattier-Bresson with the four notes of the philosophy of hope seen in Gabriel Marcel. Finally, since aesthetics is always a reflection of ethics, we consider the different types of 'photographic gazes' of a photojournalist (gaze of resignation, acceptance or redemption) to propose a gaze of hope that overcomes African stereotypes by proposing new paths to Kenyan society. This look is only possible through virtue in technical excellence and professional ethics.
546 ## - LANGUAGE NOTE
Language note en
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Photography_Kenya
9 (RLIN) 412915
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Henri Cartier-Bresson's Gaze
9 (RLIN) 414959
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Existentialism_Gabriel Marcel
9 (RLIN) 412917
655 7# - INDEX TERM--GENRE/FORM
Genre/form data or focus term Thesis
Source of term local
9 (RLIN) 414942
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="http://hdl.handle.net/11071/10162">http://hdl.handle.net/11071/10162</a>
Public note Connect to this object online.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Thesis

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